Although
we are only five chapters into Ernest Hemingway’s The Sun Also Rises I think
there are already striking differences between this novel and Virginia Woolf’s
Mrs. Dalloway. The most immediately obvious is the style. Woolf's voice is very
properly British: her sentences are long, at times rambling, and full of
descriptive words. Additionally she relies more on internal thoughts and
memories to drive the narrative of her novel than actual dialogue. Hemingway’s
style is extremely different. He writes in an American tone: short sentences
with simple words, and uses tons of dialogue. Hemingway’s straight forward
style is demonstrated in the sentences “Then there was another thing. He had
been reading W. H. Hudson” where he gets right to the point he wants to make
(Hemingway, 17). Both writers use elements of irony and satire through their
narrators, but the delivery is not the same: Woolf is subtle, so that you might
miss it but Jake Barnes, Hemingway’s narrator, directly makes fun of his world
and friends.
I
would also like to compare characters in Mrs. Dalloway and The Sun Also Rises, specifically
Septimus and Jake. Both men fought in, and were harmed in WWI: Septimus
suffered from severe shellshock while Jake has some yet to be disclosed
physical injury. However, Jake chooses to laugh his injury off while Septimus
is overwhelmed by his mental state and is driven to commit suicide. While
undoubtedly Septimus and Jake’s “injuries” are on totally different levels,
which could make it problematic to compare them, I would like to compare the
way the respective authors go about describing them. In class we talked about
how Hemingway was a very “manly man” and I think that he depicts Barnes as also
being very manly: he fought in the war, as men should, and yes he got injured
but (at least as far as I’ve read) decides to “try to play [his injury] along”,
as men should, and goes about his life (Hemingway, 39). The one time that Jake
does break down and cry is in the privacy of his hotel room, like he needs to
hide these “weak” feelings. On the other hand, Septimus’s mental turmoil
(understandably!) begins to overwhelm him. He is surrounded by all of these
model examples of men telling him to go play golf or to the music hall as if he
should just shake off this serious condition. When Woolf describes these men
advising Septimus, she is open in her dislike of them, so I would argue that
unlike Hemingway she doesn’t believe in stereotypical measures of
“masculinity”.
The
last thing I would like to discuss is the different settings and atmospheres in
these two novels. Both books are set right after WWI and this fact seems to
influence the stories a lot. In Mrs. Dalloway, London after the war seems to be
hyper-patriotic: as seen in the motor car montage people are beyond excited at
the possibility of being in the presence of some important British figure.
Additionally, throughout the novel both Clarissa and Peter talk about how much
they love London. For example, when Clarissa is walking around in the morning
she thinks that what she loved was “life; London; this moment of June” (Woolf,
5). In comparison to this, we see Jake and his friends criticize Paris: at
dinner when Jake asks Georgette “Don’t you like Paris?” she simply replies “No”
and later describes the city as “expensive and dirty” (Hemingway, 22-23, 26).
Perhaps because Jake is not originally from Paris he lacks the love for it that
Peter and Clarissa hold for London. It will be interesting to see how this sort
of disdain for Paris that the characters hold will play out later in the novel.
Kat, I like your comparisons of the settings and other important characters. Regarding the settings, perhaps both cities are regarded differently because of the location of the war itself. The war was fought on mainland Europe, in close proximity to Paris. Because of this, it would make sense that England has a more patriotic "vibe" after the war since they were further detached from the gruesome realities of war than Paris.
ReplyDeleteIn writing about London, Woolf is writing about a city that she herself loved very much--her home. (We get a sense of her strong feelings for London throughout her writings, and in _The Hours_, where her character can't imagine anything more exhilarating that a trip to London.) Hemingway's Americans and Brits are, importantly, expatriates, living temporarily in Paris but with no permanent "home." Paris is a place they stay, and a place they party, but it doesn't seem to have any deep meaning or history for them. They interact with French people very little, and there's no sense of national identity or fellow feeling. We'll see this view of Paris culture emerge even more starkly once the action of the novel shifts to Spain.
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